Art and Society (B-KUL-S0I66A)

4 ECTSEnglish26 First term
POC Sociologie

Upon completion of this course students

  • are familiar with a number of core concepts and developments related to the material and aesthetic turn in social-behavioral sciences and contemporary philosophical frameworks such as object-oriented ontology, affect studies, post-human theory, feminist new materialism, the sociology of design, and art & design based practices as activism.
  • are able to understand how the agency of matter and the material nature of socially engaged artistic and design related practices affects our perception and response to existing and emerging societal challenges in our world. 
  • are able to work with objects, stuff and images to create an installation, audiovisual or performative production or creative piece of writing that illustrates, explains or situates complex theoretical concepts and grand narratives from predominantly feminist scholars contributing to the sustainability, inclusivity and social activism discourse.   

These objectives are communicated at the beginning of the course.

Students are acquainted with the basic concepts of sociology and the core epistemological frameworks underpinning the scholarly methodological tradition in social sciences, such as positivism, interpretivism, critical theory and post-structuralism. 

Activities

4 ects. Art and Society (B-KUL-S0I66a)

4 ECTSEnglishFormat: Lecture26 First term
POC Sociologie

If we accept the assumption that students are creators of meaning rather than receivers of knowledge, then the option of producing an interesting, aesthetically inspired assemblage out of the stuff, ideas, concepts, experiences, bodies and critical events that demand scholarly attention in our particular timeframe suddenly becomes a possibility for students in social sciences. In this course we will work on the cross road between theory and creative practice to explore how the agency of matter and the material nature of artistic practice affect not only what we understand as new materialist and post human theory, but also how these theories might steer our sociological gaze, spark our sociological imagination and stimulate us to act upon the social world rather than simply describing and critiquing our social reality.   

Starting from a reading assignment related to new materialist and posthuman theories developed by feminist scholars Karen Barad, Jane Bennett, Rosi Braidotti and/or Judith Butler, students will learn to conceptualize theoretical content, creatively translate content into a 2/3D design or creative audiovisual or writing product for public outreach. Second, they will learn the skill to plug grand narratives presented by these authors into an existing social phenomenon or social challenge and explain it through the use of visual metaphors. In this course, students will literally MAKE sense of complex scholarly content through creative engagement, art and/ or design exercises. 

- Articles (distributed via Toledo)
- One of the following books:

  • Barad, K. (2007). Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. New York, USA: Duke University Press, 2007.
  • Bennett, J. (2010). Vibrant matter: A political ecology of things. Duke University Press.
  • Braidotti, R. (2013). The Posthuman. Cambridge: Polity Press.
  • Butler, J. (2015). Notes towards a performative theory of assembly: Harvard University Press.

- Course slides and eventual other materials are also made available on Toledo.

The course consists of seminars in which students will engage with a creative, artistically inspired or design related assignment to increase their level of understanding of complex theoretical frameworks situated in post human and new materialist thinking. Through creative writing, arts-informed or design related inquiry, students will be encouraged to reflect and literally MAKE sense of the theoretical concepts represented in new materialist and post human scholarly literature. Students will be encouraged to actively use the performative power of creative productions to pitch their interpretation of a theory to a broader public. Students will be invited to plug these theories into an ongoing societal challenge through the use of visual metaphors and metonyms presented in a short visual essay. 
Attendance of the seminars is mandatory. 

This course module is taught in block teaching. More specifically, cthe seminars are concentrated in six weeks with multiple seminars a week. The course concludes with an full-day examination session in the week after the last seminar. 

Evaluation

Evaluation: Art and Society (B-KUL-S2I66a)

Type : Continuous assessment without exam during the examination period
Description of evaluation : Paper/Project, Project/Product
Type of questions : Open questions
Learning material : Course material


Evaluation characteristics

Student groups can choose their own format for the creative assignment through which theoretical concepts and theories are explained. They can either create a design of a social theory in 2/3D or engage in creative writing to plug a social theory into a societal challenge (non-exclusive list of opportunities).  The design/creation will be pitched at a public outreach event, linked to the concepts from the scholarly work assigned to the group and applied to an ongoing societal phenomenon of interest to social science students. 

 

Final grade
The course is evaluated by the didactical team, as communicated on Toledo and in the examination regulation. The final grade is expressed as a mark out of 20 (rounded to a whole number). If no creative assignment is submitted or if the student does not attend the seminars, the student will receive an NA mark.

Students are fully responsible for submitting writings or productions free of fraud and plagiarism (www.kuleuven.be/english/education/plagiarism/) and are requested to observe the Faculty’s relevant regulations.  Plagiarism will be sanctioned with the sanctions mentioned in the University’s Regulations on Education and Examinations (http://www.kuleuven.be/education/regulations/).

 

Retaking exam

Students will have to create a new production (2/3 D design or creative piece of writing) on an individual basis. Grading will be similar to the first exam term. A new show casing moment will be organized with the didactical team in the second exam period through a digital platform. 

 

See explanation 'retaking exam'